I love to meet again with the forgotten wire and sketch filiform figurations, as Giacometti synthesized the human body, halfway between being and nothingness. They are fast and tapered windings that become long extremities, where a simple spiral acquires the character of a semblant feature.
Sometimes, and without being able to avoid it, the figuration claims to interact with the most daily object, perhaps, looking for the harmony of our glances.


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